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Hans-Peter Feldmann
Variations – Eugène Frey’s Light Set Projections presented by João Maria Gusmão
Nouveau Musée National de Monaco, Villa Paloma, Monaco, MC
until 30.08.2020
Daniel Buren
Illuminare lo spazio, lavori in situ e situati
GAMeC, Bergamo, IT
until 01.11.2020
Installation view - photo-souvenir: Daniel Buren, Fibres optiques tissées, July-October 2019, Gwangju Design Biennale
© Daniel Buren by SIAE 2020
Maurizio Donzelli
Thresholds
MAC, Lissone, IT
until 27.09.2020
Maurizio Donzelli, Talisman drawing, 2019, acrylic resin on board, 41.5x31x3 cm
Ariel Schlesinger
Double Wall of Silence
until 02.08.2020
Detail
Ariel Schlesinger, we started with a flame, February 2019
Jonathan Monk
Three Ball Total Equilibrium Tank and other problems
Quartz Studio, Turin, IT
until 25.07.2020
Olivo Barbieri
Early Works 1980-1984
Monastero di Astino, Bergamo, IT
until 31.10.2020
Daniel Gustav Cramer/Haris Epaminonda
The Infinite Library
Centre d’Art Contemporani - Fabra i Coats, Barcelona, ES
until 24.05.2020
The project "The Infinite Library" began in 2007 as an exchange between the two artists Daniel Gustav Cramer and Haris Epaminonda and is still being continually extended. It consists of an archive of books, made by removing pages from antique books and reassembling them in collage before binding them again. In many cases these are illustrated books which are, in this way, bound with altered patterns of causality. A series of collages assembled anew with the imagery of a publication with gothic plates is displayed in the first room. In the corridor a video work gives a deeper insight into the project showing turning pages of the books. The entirety nevertheless remains unrevealed and incomplete so far. The title of the project is a reference to José Luis Borges’s fantastic description of a library organised in endless hexagonal rooms. It serves as a metaphor for the universe, where humanity is on an endless search for total knowledge. Preoccupation with found images and the medium of the book is a common interest and a recurring motif in the works of Cramer and Epaminonda.
Daniel Gustav Cramer & Haris Epaminonda - The Infinite Library
Nedko Solakov
A Life (Black & White)
Tate, London, UK
until 01.03.2020
In Nedko Solakov’s performance work A Life (Black & White), two workers continuously paint the gallery walls. One uses black paint and the other uses white. The painters follow each other around the space, painting over each other’s work. This is constantly repeated for the length of time the work is on display. The materials used in the performance are also laid out in the space. These include tins of paint, rollers, rags and signs for the painters’ breaks. In A Life (Black & White), Solakov is exploring issues about work, labour, time and repetition. The piece also comments on the process of making a painting, but here the paint is applied directly onto the gallery wall instead of a canvas. As well as performance, Solakov makes work in media such as drawing, painting, video and installation. He explains ‘I am telling stories in space’. He frequently plays with the expectations of his audience, using humour to convey political concerns, often about his native Bulgaria. His work also playfully questions the conventions used in galleries and other art institutions.
Nedko Solakov "A Beauty 4", 2011. White artificial fur, black cloth, stuffing materials, acrylic and ink on paper, sanded glass, bulb 110x200x500 cm
David Maljkovic
With the Collection
MMSU, Rijeka, HR
until 20.04.2020
Gabriele Basilico
Metropoli
Palazzo delle Esposizioni, Rome, IT
until 13.04.2020
Gabriele Basilico,
Unidentified Modern City. Globalized Brescia,
2011
Pure pigmented print
60x80 cm
Jonathan Monk
Exhibit Model Six – The Tel Aviv Version
CCA Tel Aviv, IL
until 01.02.2020
Jonathan Monk, Exhibit Model Detail with Additional Information, 2019, Mixed media, 182,5×123×15 cm
Anish Kapoor
Anish Kapoor
CAFA Art Museum - Imperial Ancestral Temple, Beijing, CN
until 01.01.2020
Installation view
Anish Kapoor, Martin-Gropius-Bau, Berlin, 2013
Sheila Hicks
Surrounds
MoMA, New York, USA
until 04.01.2020
Installation view
Sheila Hicks, Surrounds, MoMA, New York, 2019
Sheila Hicks
Reencuentro
Museo Chileno de Arte Precolombino, Santiago, CL
until 31.01.2020
Portrait
Sheila Hicks
Sheila Hicks
Secret Structures, Looming Presence
Dallas Museum of Art, Dallas, Texas, USA
until 12.01.2020
SH, Untitled, 2019, 73x50cm
Sheila Hicks
Untitled
2019
Linen on wooden support
73x50cm
Haris Epaminonda
On the spiritual matter of art – curated by Bartolomeo Pietromarchi
MAXXI Museum, Rome, IT
until 08.03.2020
Haris Epaminonda
Untitled #13 t/g
2019
Mirrored and black polished lacquered wooden structure with brass hinge, mirrored and black polished lacquered wooden column, velvet curtain, two wooden spheres with golden leaf
Overall dimensions 270x166x230 cm
Roger Ballen
Le monde selon Roger BALLEN
Halle Saint Pierre, FR
until 31.07.2020
Roger Ballen reigns over the black-and-white world of the human psyche. Disturbing, provocative and enigmatic, the work of this  American-born South African photographer, a geologist by training, expresses the sense of confusion of a man confronted by the nonsensical nature both of his life and of the  world in general. Ballen’s work has been the subject of exhibitions at prestigious institutions for more than thirty years now. Although each of his shows is an event, his decision to exhibit at the Halle Saint Pierre in Paris, an atypical museum devoted to outsider art and unusual forms of creativity, demonstrates his freedom from artistic genres. For the Halle Saint Pierre, a collaboration with Roger Ballen is an invitation to showcase – or test  out  – the artistic and cultural otherness of art brut. In his relationship with creativity, Ballen has constantly explored a form of art that is rooted in the deepest layers of human nature; like the French dramatist, actor and writer Antonin Artaud, he is always moving towards more primal means of artistic expression.
Installation view
Roger Ballen, Ballenesque, Les Rencontres, Arles, 2017
Ariel Schlesinger
Nature morte/Nature vivante
Le Grand-Hornu, Magasin aux Foins, Écuries, BE
until 08.03.2020
Since the late 17th century, the French expression nature morte (literally ‘dead nature’) has been used to refer to still life, the field of painting that approaches nature from a sensual perspective and explicitly alludes to its fragility and ephemerality, and indirectly also to the vanity of human intervention on its composite elements. Over time, the term has extended to include any arrangement of inanimate objects organised in a certain fashion with a symbolic intention, which is meant to induce a poetic emotion. In our so-called “anthropocene” age, man’s unwarranted action is contributing to the impermanence of nature, or even its annihilation. With this sombre outlook, the term nature morte takes on even greater relevance. Yet nature has a formidable capacity for regeneration. Works by numerous creative minds question, provoke or encourage mechanisms that nature uses to underpin its intensity, reproduction and durability. In reality, each state of matter is a snapshot in a long, slow, evolutionary process of transformation, aggregation, assimilation and decomposition… Nature is very much alive! In this exhibition organised at the CID, designers, architects and artists present intensive, practical or experimental research that questions the relationship between man and nature, calling in equal measure on ecology, science, our moral conscience and artistic creation. Nature morte/Nature vivante reveals how much man’s ambiguous relationship with nature can be both perverse and inspiring.
Installation view
Ariel Schlesinger, we started with a flame, February 2019
Nedko Solakov
Stingy Doodles
Museum HOUSE OF HUMOUR AND SATIRE
until 19.01.2020
Nedko Solakov uses a characteristic method of making the viewer read and look simultaneously, an approach which “works” especially and equally well in his detailed installations, in his major museum exhibitions and in empty gallery spaces. The viwer can see how this happens in Stingy Doodles at the Museum of Humor and Satire. The work was created especially for the space, and the artist offers very local and personal commentaries; in this way, local viewers from Gabrovo will find themselves in a similar situation to that of viewers in museums such as the Museum of Modern Art in Frankfurt; Haus Konstruktive, Zurich; Museum Frans Hals, Haarlem; Kunstmuseum, St. Gallen; P.S. 1 MoMA, New York; Serralves Museum, Porto; De Appel Contemporary Arts Centre, Amsterdam; Museo Reina Sofia, Madrid and currently the exhibit A Passion for Drawing. The Guerlain Collection from the Centre Pompidou Paris in the Albertina, Vienna.
Nedko Solakov
My Dream Bulgarian Cultural Reporter’s Butt
2014
Oil on canvas
97x130 cm
Titina Maselli
Panta Rei
Studio Legale Withers, Milan, IT
until 19.04.2020
Titina Maselli
Calciatori
1971
Oil on canvas
196x130 cm