It looks like you're interested in buying some art.

Check our offer of the month!

Discover more!! CLICK NOW! Write now!!!

Offer Of The Month!

Stefano Arienti
in Panorama Monopoli
Monopoli ancient seaside village, IT
opening 12:00 am
01.09 - 04.09.2022
Paul P.
Friendly in the Knife-edged Moment
Oakville galleries, Toronto, CA
until 28.08.2022
Paul P.
Untitled
2009
Oil on canvas
46x33 cm
Courtesy Galleria Massimo Minini
Maurizio Donzelli
Ascoltare Bellezza
Biblioteca Classense, Ravenna, IT
until 13.09.2022
Installation view
Maurizio Donzelli, Fragments, 2022, Biblioteca Classense, Ravenna, IT
Nedko Solakov
A Cornered Solo Show #2
MAXXI, Rome, IT
until 25.09.2022
Installation view
Nedko Solakov, A Cornered Solo Show #2, MAXXI, Rome, IT
© Nedko Solakov
Sheila Hicks
Woven Wonders
Coal Drops Yard, London, UK
until 16.10.2022
Sheila Hicks has realised “Woven Wonders”, a new monumental outdoor site-specific installation which has been displayed today at Coal Drops Yard in King’s Cross, London.   The artist has made a vast, floating sculpture which transforms Coal Drops Yard into an diversified environment of colour and moving forms. The uniquely chosen hydrophobic material is resistant to the atmospheric agents, thus creating a fadeless and timeless experience in vibrant technicolour.   The work is suspended between two former buildings and creates a connecting threads becoming a focal point for community assembly and future cultural expression.
Installation view
Sheila Hicks, Woven Wonders, London, 2022 © Sheila Hicks
Ph: Cara McCarty
Paolo Novelli
in Giardini disobbedienti
Hortus Artieri, Trento, IT
until 18.06.2022
Paolo Novelli
Day n.2
2017-2018
Gelatin silver print
40x30 cm
Ed. 12 + 2APs
Piero Gilardi
Gilardi: Tappeto-Natura
Magazzino Italian Art, Cold Spring, NY
until 09.01.2023
Piero Gilardi
Scogliera sonora
1998
expanded polyurethane
150x150x25 cm
Roger Ballen
Roger Ballen. The place of the upside down
Palazzo del Duca and Palazzetto Baviera, Senigallia, IT
until 02.10.2022
Senigallia città della fotografia [Senigallia City of Photography] presents Roger Ballen' solo show curated by Massimo Minini. It is the only one that will take place this year in Italy in a public location, in addition to his participation in the LIX Biennale in Venice for which he was called to represent South Africa in its national pavilion. This exhibition investigates the human condition and the depths of the subconscious, inviting the viewer to ask himself questions about what he is looking at and consequently to ask questions about himself as well. The images created by Ballen are characterized by a perfectly recognizable visual style, to the point that a neologism, "Ballenesque", has been coined to define a mysterious, chaotic, sometimes dark atmosphere that resides in his works. Over the years the artist's style has evolved in search of new creative possibilities, he has experimented different visual languages where photography interacts with drawing, painting, collage and sculpture, giving life to a new hybrid aesthetic that has made him famous all over the world.
Roger Ballen
Woman man and dog
1995
Archival pigment print, 40x40 cm
Ed. 29/35
Luigi Ghirri
Luigi Ghirri (non) luoghi
Fondazione Cassa di RIsparmio di Jesi, Palazzo Bisaccioni, Jesi, IT
until 31.07.2022
The solo show, curated by Massimo Minini, wants to present itself as an emotional story, a path that reveals to the visitor the way in which Ghirri enters into a relationship with things, celebrating the artist and focusing on his intimate need to photograph. With his shots he demonstrates how photography generates possible worlds, never artificial and unreal, but which always tell the perception of another truth, the result of the perfect "balance between detection and revelation".
Luigi Ghirri
Ravenna
1986
serie Un piede nell’Eden
Stampa cromogenica da negativo 6x7 cm
43.5 x 54.5 cm
Sheila Hicks
Sheila Hicks: Off Grid
The Hepworth Wakefield, Wakefield, EN
until 25.09.2022
Sheila Hicks
Perruque, 1968-1969
linen and cotton
48×24×32 cm
Anish Kapoor
KAPOOR | UNA MOSTRA IN DUE SEDI
Gallerie dell'Accademia - Palazzo Manfrin, Venezia, IT
until 09.10.2022
Anish Kapoor
Lady Chrysanthe, 2016
Fiberglass and gold
65 x 65 x 65 cm
Edition 3/3 +2AP
Landon Metz
in WE PAINT!
Palais des Etudes des Beaux-Arts Paris, Paris, FR
until 24.04.2022
Landon Metz
Untitled, 2020
dye on canvas
200x160 cm
Haris Epaminonda
in The Dream of Ulysses
Villa Carmignac, Île de Porquerolles, Hyères, FR
until 16.10.2022
Haris Epaminonda
Untitled #03 t/g, 2019
Mirrored and black polished lacquered wooden structure with brass hinge, veneered wooden structure, cube and panel, ceramic vase and glazed ceramic bowl, plaster head
180×107,5×112,5 cm
Carla Accardi
in Astratte. Donne e astrazione in Italia 1930-2000
Villa Olmo, Como, IT
until 29.05.2022
“The exhibition tells about some long-neglected or forgotten protagonists of Italian abstract art who, thanks to the critical activity carried out in particular in the last twenty years, are returning to the center of attention”.
Carla Accardi
Parentesi n.1, 1981
vinyl paint on raw canvas
141×172 cm
Arch. n. 806
Maurizio Donzelli
in PLOT HUNTERS
Palazzo Pusterla, Milano, IT
until 03.04.2022
Maurizio Donzelli is among the artists presented at the new exhibition space of Banca Generali, BG Art Gallery. Banca Generali has been working for some time to support culture in its various forms of expression. In particular, in recent years, the Bank launched the BG ArTalent project embarking on a path to promote creativity in its most innovative expressions and to bring new light on Italian talent. The collection of BG Art Gallery is currently distinguished by the presence of 13 works representing the best of Italian contemporary art. The works of the 5 artists selected by Vincenzo De Bellis (associate director of the Walker Art Center in Minneapolis, USA) as part of the BG ArTalent project and then those of 5 other leading exponents of contemporary art intermingle and dialogue with each other.
Maurizio Donzelli
Mirror #0222, 2022
Mixed media, wooden frame
140x95,8x7,5 cm
Peter Halley
in INTERACTION
Fondazione Made in Cloister, Napoli, IT
until 10.09.2022
Installation view
"INTERACTION", Fondazione Made in Cloister, Naples
© Francesco Squeglia
Giulio Paolini
Quando è il presente?
Museo Novecento, Firenze, IT
until 07.09.2022
Giulio Paolini
Atto di nascita, 2021
photographic reproduction, plexiglas plate, plaster casts, plexiglas case, white base plate 35 x 35 cm, case 40 x 40 x 40 cm, base 100 x 45 x 45 cm,
overall dimensions 140 x 45 x 45 cm
Ceal Floyer
in FUTURA. Measuring Time
Hamburger Kunsthalle, Hamburg, DE
until 10.04.2022
Ceal Floyer
KEEP CLEAR, 2021
Inline printed floor marking tape, empty wall
Variable dimensions
Edition 1/4 + II AP
Carla Accardi
in Marta Maps. New Routes through the Collection
Marta Herford Museum of Art, Architecture, Design, Herford, DE
until 29.05.2022
Carla Accardi
Si sdoppia e ricompare
2013
Vinyl paint on canvas
100×160 cm
Arch. n. 374C
Vanessa Beecroft
in MARBLE
Kunsten Museum of Modern Art Aalborg, DK
until 21.08.2022
vbm.012.10, Gambe nere, 2010
black belgium marble (feminine legs), pink portugal (base), white Carrara, black belgium (wedge)
Daniel Buren
Daniel Buren: Going for a Walk in a Zigzag
EMMA, Espoo Museum of Modern Art, Espoo, FI
until 17.07.2022
Photo souvenir: Daniel Buren, Folding Screens, (Les Paravents), work in situ, 2022
© DB-ADAGP
Letizia Cariello (Letia)
in Poetica del semplice. Moda e design secondo Monica Bolzoni/Bianca e Blu
Galleria Nazionale d'Arte Moderna e Contemporanea, Roma, IT
until 27.02.2022
This exhibition is dedicated to Monica Bolzoni and to her historic brand and perfomative place Bianca e Blu to tell her experience as a fashion designer in order to explore the process which has animated her creativity. The poetic of the simple is the essential ingredient; it gave life to a unique language achieved making highly selective choices. The object of her research are the archetypes of the feminine, according to precise study of modular forms. The result is a contemporary and sophisticated canon of elegance which enhance the real body of the woman. Letizia Cariello is part of this collective exhibition with My Sister is Always with Me: a performance in which the artist turns into art seven pieces in jersey by Bianca e Blu. This is the first work for which the artist used her face and body, a work physically engaging: holding a pose copied from a painting requires not only identification.  
Letizia Cariello, My Sister is Always with Me, cibachrome print, 120x90 cm, courtesy the artist and Fondazione Museion
Ariel Schlesinger
in Praise the Insignificant Dwarf Planets
DANGXIA Art Space, Beijing
until 23.04.2022
Ariel Schlesinger is part of the inaugural exhibition “Praise the Insignificant Dwarf Planets” at DANGXIA Art Space in Beijing, curated by Yang Zi, with his  work entitled “Two Good Reasons”.   Here a excerpt of Massimo Minini’s poem about Ariel Schlesinger’s artwork:   white sheets dance   Though the maker may well disagree this is a dance of love I see dancing joined as foes and friends two white fields laid out for the pen. the room is empty. on the floor the sheets engage in open war. a war of forms in three dimensions harmoniously curved ascensions. Two shapes lie flat there, on their own white rectangles: each one alone.
Ariel Schlesinger, Two Good Reasons, 2015,
Polypropilane, engine, wood, 100x132 cm each sheet 310x300 cm set up dimension.
Courtesy Galleria Massimo Minini
Vanessa Beecroft/Mimmo Jodice/Joel-Peter Witkin
in Canova tra innocenza e peccato
MaRT, Rovereto, IT
until 18.04.2022
Vanessa Beecroft, vb62.017.nt, Chiesa dello Spasimo, Palermo, 2008
Digital C-print, 178×226 cm
Edition 1/6
Letizia Cariello (Letia)/Stefano Arienti
in Bocconi Art Gallery 2021
Via Röntgen 1, Milano, IT
17.11.2021
Letizia Cariello, Gate # 0 Bocconi, 2020, Site Specific, Unique edition
Eva Marisaldi
Secondi tempi
CSAC, Abbazia di Valserena, Parma, IT
until 28.02.2022
Eva Marisaldi, Omissioni, 1998-2018
Post-it modified
76.3 x 76.3 cm
Alberto Garutti
in “Mehr licht!” (Più luce!)
Casa Masaccio, San Giovanni Valdarno, IT
until 06.02.2022
Installation view
"Mehr Licht", Casa Masaccio, San Giovanni Valdarno, AR
©Ela Bialkowska
OKNO studio
Haris Epaminonda
in Understudies: I, Myself Will Exhibit Nothing
KW Institute for Contemporary Art, Berlin, DE
until 09.01.2022
Haris Epaminonda, Daniel Gustav Cramer, The Infinite Library Index
8 color risograph prints with a two page Index
Edition of 50
Jonathan Monk
in Autoritratto come Salvo
MACRO, Roma, IT
until 27.02.2022
Salvo, Autoritratto come Raffaello, 1970, Collezione Paul Maenz, Berlino
Anish Kapoor
Painting
Modern Art Oxford, Oxford, UK
until 13.02.2022
Installation view
© Ben Westoby
Yona Friedman
The mobile exhibition
Frac Grand Large, Dunkerque, FR
until 31.12.2021
Installation view
© Salim Santa Lucia
Gabriele Basilico
Territori intermedi
“Castello Ursino” Civic Museum, Catania. IT
until 06.01.2022
Roger Ballen
THE WORLD ACCORDING TO ROGER BALLEN
Fotomuseum Den Haag, Den Haag, NL
until 06.03.2022
Installations view
© Gerrit Schreurs
Letizia Cariello (Letia)
in Nulla Dies Sine Linea
Università Cattolica del Sacro Cuore, Milano, IT
until 27.11.2021
Letizia Cariello
Calendario Door
scrittura a inchiostro e ricamo su lenzuolo intelaiato
Ø 120 cm, 2017
John Hilliard
in Look Twice
Fondazione Rolla, Bruzella, CH
until 09.01.2022
John Hilliard
For Your Eyes Only, 1995
cibachrome print on aluminium
126 × 142 cm
Ettore Spalletti
Ettore Spalletti. Il cielo in una stanza
Galleria Nazionale d'Arte Moderna e Contemporanea, Roma, IT
until 27.02.2022
The first exhibition that celebrates the great master of contemporary art a few years after his death. A selection of works, including painting and sculpture, rewrite the spaces of the Central Hall transforming it into a landscape that expresses the meaning and scope of the artistic research of Ettore Spalletti, protagonist of a solitary path and characterized by features of uniqueness in the history of Italian contemporary art, starting from the beginnings in the seventies, crossed the swirl of the avant-garde from a perspective detached, original and strongly coherent. Rigorous choices and a very clear visual education have placed a limit to primary geometric shapes and colors of choice, such as blue, white, gray, pink and purple. The same applies to sculptural forms, such as the column, an element of tradition, the ellipse, the basin and the amphora. But it is a limit that stretches to infinity, where the golden rules of the artist have the power to amplify the expressive power of his works, from the writing of pure color to the studied interactions with surfaces and environmental dynamics. The light blue color, which dominates the exhibition, in the form of the monochrome occupies the space and invites the viewer to immerse themselves in this landscape and take part in an emotional experience. The vibrations of the blue color follow the variation of light and atmospheric situations, while even the time of the observer acquires a meditative dimension. The presence of a metaphysical tension that characterized Spalletti’s research, at an artistic and personal level, is therefore evident. The questions about the incorporeal dimension that the artistic object possesses subtend a deep spiritual involvement, the same that guides him in the intent to translate the supernatural into something tangible, to bring the sky into a room.
Sabrina Mezzaqui
in LA VIE MATÉRIELLE
CENTRALE.hall, Bruxelles, Belgio, BE
until 13.03.2022
Sabrina Mezzaqui
Rilke, 2014
Grey cellulose (from R.M. Rilke "Elegie Duinesi, nona elegia"
70×70 cm
Luigi Ghirri
Tra albe e tramonti. Immagini per la Puglia
Fondazione Pino Pascali, Polignano a Mare, Bari, Italia, IT
until 20.01.2022
The famous photographer, one of the most significant of the second half of the twentieth century, undertook in 1983 a personal trip to Puglia, taking over a hundred photos; an important selection of these was then exhibited at the Fiera del Levante in Bari. The Ghirri family, through negatives and original photos, reconstructed the journey with the images of the photographer who loved Puglia so much and often returned with friends like the songwriter Lucio Dalla, the writer Gianni Celati and the intellectual and photographer Gianni Leone.
Luigi Ghirri, Otranto, 1982
Peter Halley
CELL GRIDS
dallas contemporary, Dallas, Texas, USA
until 13.02.2022
CELL GRIDS, Peter Halley’s first exhibition in Texas in more than fifteen years, presents a unique series of paintings made from 2015 to the present. CELL GRIDS showcases a surprising vein of Halley’s work, paintings in which one element of his distinctive iconography – his intensely colored rectilinear “cells” – is isolated and arranged into syncopated grids, bringing his work into dialogue with the structural grid of classic Modernism as represented in the work of Piet Mondrian, Agnes Martin, Andy Warhol and others. Since the 1980s, Peter Halley’s paintings have blurred the distinction between geometric abstraction and representation. In Halley’s paintings, monochromatic squares become “prisons” and “cells,” while straight lines become the “conduits” connecting them. The paintings on view in CELL GRIDS at Dallas Contemporary are a focused presentation of a new direction in Halley’s work developed over the last six years in which the artist has isolated a single element of his personal iconography, the intensely colored rectilinear “cells,” arranging them into large-scale syncopated grids. Multiple canvases are bolted together into a tightly packed jigsaw puzzle devoid of atmosphere, while the paintings’ bright, luminous color combines with their rough tactile surfaces to create a palpable tension between attraction and repulsion. Devoid of Halley’s usual practice of deploying his prisons, cells and conduits in a figure-ground space to create a recognizable narrative, the CELL GRIDS paintings tread a subtle line between purist Modernist abstraction and Post-Modern referentiality, creating yet another level of tension and ambiguity. Shown together at Dallas Contemporary for the first time, this group of eighteen large-scale paintings extends Halley’s ongoing exploration of the language of painting. The exhibition offers a surprising new way of engaging with the artist’s work. CELL GRIDS curated by Dallas Contemporary Executive Director Peter Doroshenko and will be accompanied by an exhibition catalogue.
Peter Halley. Under the Light, 2021. acrylic, fluorescent acrylic, and roll-a-tex on eleven joined canvases.
© Peter Halley
Nedko Solakov
A Cornered Solo Show #1
MUDAM, The Contemporary Art Museum of Luxembourg, LU
until 18.04.2022
Haris Epaminonda
34th Bienal de São Paulo – Though it’s dark, still I sing
Pavilhao da Bienal, São Paulo, BR
until 05.12.2021
Some artists’s work has its own, unique tone, which makes it immediately recognizable. In the case of Haris Epaminonda (1980, Nicosia, Cyprus), this tone permeates her collages, videos, films, artist books and even the elements that come together in her always carefully arranged installations. These installations often include simple objects of timeless beauty, such as vases and bowls, and sculptures of a lightness that makes them almost ethereal. These elements are often arranged on, near or behind bases, in an extremely self-aware balance, where nothing can be removed without profoundly changing the sense of the whole. In Epaminonda's work, everything is significant, including, or principally, the spaces, the voids, the remains: “I consider the exhibition space as part of the work – not only the occupied zones, but equally the empty gaps, rhythm, distances”, she says. It is in this ability to shift the viewer's gaze, to lead them to see what seemed, until then, irrelevant, that we can identify a distinctive quality in Epaminonda's work. The short films which make up the series Chronicles, filmed in distinct locations over a number of years, can be seen as a programmatically dispersed and yet coherent index of possible suspended narratives: the numbers of the page of a book, small ancient sculptures against colored backgrounds, a lone palm tree against a blue sky… For the work commissioned by the 34th Bienal, Grids (2021), Epaminonda delved into the huge archive of 35mm photographs she has been taking since 1997. Images taken in different moments and places are put in relation to each other, identifying and making almost tangible the forces of attraction that, invisible, operate in the world.   Jacopo Crivelli Visconti
Installation view
Haris Epaminonda,
34th Bienal de São Paulo - Though it’s dark, still I sing
Sabrina Mezzaqui
I quaderni di Hannah Arendt
Palazzo Borromeo, Milano
until 02.11.2021
Detail
Sabrina Mezzaqui
I quaderni di Hannah Arendt,
Palazzo Borromeo, Milano, IT, 2021
MIART 2021 – Promozione delle opere contemporanee in mercati internazionali attraverso la partecipazione a specifiche fiere del settore
Fiera Milano City
until 19.09.2021
PANORAMA PROCIDA. Island-wide exhibition curated by Vincenzo de Bellis Procida, Italy. September 2- 5, 2021
Procida, Italy
until 05.09.2021
Galleria Massimo Minini – member of ITALICS – is pleased to announce the first in-person project of the consortium. ITALICS, the first consortium in Italy to unite more than sixty of the country’s most influential galleries of contemporary, modern and ancient art, presents its first in-person project: PANORAMA, an island-wide exhibition on Procida (off the coast of Naples) from Thursday, 2 September to Sunday, 5 September 2021, curated by Vincenzo de Bellis, Curator and Associate Director of Programs, Visual Arts at the Walker Art Center in Minneapolis.  It is the first in a series of exhibitions, each with the title PANORAMA, organised by ITALICS to tell the story of some of the most fascinating places in Italy, in an offline continuation of the extraordinary journey begun in October 2020 on the pages of the website italics.art.  The first exhibition in the PANORAMA series is taking place on the island of Procida, a picturesque location distinguished for its intellectual bent and natural surroundings, in the form of a long conversation between the curator Vincenzo de Bellis and Agostino Riitano, director of Procida: Italian Capital of Culture 2022. The exhibition brings together about forty-five works of art spanning sculpture, painting, video, performance and installations from a wide range of historical and production contexts. The itinerary stops at twenty sites island-wide, including public and private buildings, churches, historical palazzos and more, all pivoting around the fortified village of Terra Murata, dominated by Palazzo d’Avalos (1563), a former prison citadel.  Through constant dialogue and comparison of notes, Vincenzo de Bellis and Agostino Riitano highlight a few of the key features of the project: the relationship between work of art and a highly distinctive space like that of the island, social potential, understood as an attempt to update communication and the use of art and, lastly, dialogue with institutions.  Spreading the project throughout the island, PANORAMA presents not just Procida’s works of art but also its houses, churches, streets, terraces, piazzas and even residents. With PANORAMA, ITALICS is renewing its commitment to promote the beauty of Italy in all its profound complexity, through the eyes of Italian gallerists. PANORAMA is made possible by Intesa Sanpaolo, ITALICS’ project Partner, with additional support from the Region of Campania and the Fondazione Donnaregina per le arti contemporanee - museo Madre, and the sponsorship of the Municipality of Procida.  The exhibition is part of the program “Towards Procida 2022”.
Peter Halley
Antesteria
Museo Nivola, Orani, IT
until 22.08.2021
Starting in the 1990s, Peter Halley began to transform the architectural space through digitally generated mural works, sometimes developed in collaboration with other artists. The project created for Museo Nivola focuses on this aspect of his work: Halley has completely transformed the museum’s temporary exhibition space’s walls, in tune with the mission of Museo Nivola, an institution dedicated to Costantino Nivola, one of the protagonists of the movement for a “synthesis of the arts” at mid-century. In the old public washhouse used by the museum for temporary exhibitions – a clear and linear building similar in shape and proportions to a church – the tone is joyful and lively, the space euphoric. Entering from the terrace – a light-flooded environment overlooking the museum park – the visitor will experience a visual shock produced by Halley’s favorite fluorescent hues and the images’ exuberant and dynamic character. Arranged in a scheme recalling the Italian fourteen-century fresco cycles, which suddenly rises in a series of colored waves, the surface combines the artist’s painting’s distinctive repertoire with art historical references from the Renaissance to Warhol, from Matisse to cave art. “The installation – states Giuliana Altea, curator of the exhibition together with Antonella Camarda – enhances the contrasts in Halley’s painting. It is both conceptual and decorative, critically reflective and spectacular, intensely contemporary, and nourished by the dialogue with art history. It combines opposite polarities, not so much to seek a synthesis between them or to try to reconcile them, but rather to put them in tension and trigger short circuits of the viewer’s imagination.”
Installation view
Peter Halley, Antesteria, 2021, Museo Nivola, Orani
ph. Daniele Brotzu
Stefano Arienti/Letizia Cariello (Letia)
Carta bianca. Una nuova storia. 49 artisti x 49 copertine
Museo Gigi Guadagnucci, Massa, IT
until 29.08.2021
Letizia Cariello, Saving time, 2020
Ink and red thread intervention on paper, 28,5x23 cm
Letizia Cariello (Letia)
Il tuo cielo è verde
Filatoio Rosso di Caraglio, Cuneo, IT
until 10.10.2021
Maurizio Donzelli
In Nuce
Museo Civico Medievale, Bologna, IT
until 19.09.2021
The site-specific solo exhibition enters into dialogue with the works, rooms and halls of Bologna's Medieval Museum: the itinerary invites visitors to discover the unexpected relationships between the museum's fine artefacts and centuries-old architecture, and the artist's works, from the Tapestries to the Mirrors, through the Disegni del Quasi and the more recent monochromes on gold to the presentation of Notturni, the new series of nocturne paintings conceived, between the end of 2020 and the start of 2021, as a pictorial meditation on isolation and waiting and, as yet, unreleased. Several large-format works on paper evoke celestial maps of interstellar filaments and burning stars; others are inspired by Descartes' drawings on magnets: waves and magnetic fields that spread or stop like water waves when they meet, visual metaphors of mutual analogies and resonances between all worldly things.
Installation view
Maurizio Donzelli, In Nuce, 2021, Museo Civico Medievale, Bologna
Carla Accardi/Sheila Hicks
in Elles font l’abstraction
Centre Pompidou, Paris, France
until 23.08.2021
Carla Accardi,1966
Ph. Ugo Mulas
Haris Epaminonda
in Europe: Ancient Future
Halle für Kunst Steiermark, Graz
until 15.08.2021
Production phase
Haris Epaminonda, Chapters, 2013
16mm film transfered to digital, single screen version, 1:37 min
David Maljkovic
in Here to Stay. Nuove opere per la Collezione
Museion, Bolzano
until 08.08.2021
Installation view
David Maljkovic, Retired Form, 2010, Museion, Bolzano
ph. Luca Meneghel
Carla Accardi/Vanessa Beecroft/Sabrina Mezzaqui/Francesca Woodman
in Io dico Io – I say I
La Galleria Nazionale, Rome
until 23.05.2021
Francesca Woodman, Untitled, Providence, Rhode Island, 1978
Gelatine silver estate print
9,8×9,8 cm
Edition 7/40
Letizia Cariello (Letia)
in Muselmann. Omaggio ad Aldo Carpi
Memoriale della Shoah, Milan
until 19.03.2021
Letizia Cariello, Rimedio inutile, 2021, cut sheet with mending, 20x20 cm
Haris Epaminonda
in Compassion Fatigue Is Over
Galerie Rudolfinum, Prague
until 18.04.2021
Still from
Haris Epaminonda, Chimera, 2019
Super 8 digitalised film, duration 34’ 15”, colour, sound (by Kelly Jayne Jones)
Ed. 5 +2AP
Sheila Hicks
Thread, trees, river
MAK Museum of Applied Arts, Wien
until 18.04.2021
Installation view
Sheila Hicks, Monumental, 2018-2020, MAK Wien
ph. Georg Mayer
ITALICS Art and Landscape
Letizia Cariello (Letia)
Libro del silenzio
Casa del Manzoni, Milano
22.10.2020
Detail of
Letizia Cariello
Libro del Silenzio
2020
Enzo Mari
curated by Hans Ulrich Obrist with Francesca Giacomelli
La Triennale di Milano, Milan, IT
until 18.04.2021
Enzo Mari
Struttura 918
1968
Natural and black anodized aluminum
91x91x11.5cm
Giulio Paolini
Le chef-d’oeuvre inconnu
Castello di Rivoli, Rivoli, IT
until 25.07.2021
Giulio Paolini, 2013
Ph. Luciano Romano
John Hilliard
in Fragile creation
Dom Museum, Wien, AT
until 28.08.2021
John Hilliard, Landscape In Ruins (Pendragon Castle Unfocused, Decayed And Blurred), 2014, pigment print on Hahnemuhle paper, 73×84 cm
Ryan Mendoza
Almost home. The Rosa Parks House Project
Palazzo Reale, Naples, IT
until 06.01.2021
Haris Epaminonda
Mercedes-Benz Art Scope 2018-2020
Hara Museum, Tokyo, Japan
until 06.09.2020
Haris Epaminonda, Untitled #01 b/l, 2020
installation of wooden brass gilded sphere, red carpet, sound, text on paper (work contribution by Daniel Gustav Cramer, Hiroshi, 2020, size varied)
Ph: Keizo Kioku
Peter Halley
in The Artist Columned Hall
STOA169 Foundation Stiftung, Polling
13.09.2020
Installation view
Peter Halley, The artist columned hall, STOA169 Stiftung, Polling, Germany
Carla Accardi
Contesti
Museo del Novecento, Milan, IT
until 27.06.2021
Carla Accardi
Due rettangoli mimetici
1979
Sicofoil on painted wooden stretchers
38×75 cm each
Wilfredo Prieto
Beso
Milano, CityLife public park
09.09.2020
Installation view
Wilfredo Prieto, Beso, 2020
Courtesy ArtLine Milano
© Alberto Fanelli
Hans-Peter Feldmann
Variations – Eugène Frey’s Light Set Projections presented by João Maria Gusmão
Nouveau Musée National de Monaco, Villa Paloma, Monaco, MC
until 30.08.2020
Daniel Buren
Illuminare lo spazio, lavori in situ e situati
GAMeC, Bergamo, IT
until 01.11.2020
Maurizio Donzelli
Thresholds
MAC, Lissone, IT
until 27.09.2020
Maurizio Donzelli, Talisman drawing, 2019, acrylic resin on board, 41.5x31x3 cm
Ariel Schlesinger
in Double Wall of Silence
Hestia, Belgrade, YU
until 02.08.2020
Detail
Ariel Schlesinger, we started with a flame, February 2019
Jonathan Monk
Three Ball Total Equilibrium Tank and other problems
Quartz Studio, Turin, IT
until 25.07.2020
Olivo Barbieri
Early Works 1980-1984
Monastero di Astino, Bergamo, IT
until 31.10.2020
Daniel Gustav Cramer/Haris Epaminonda
The Infinite Library
Centre d’Art Contemporani - Fabra i Coats, Barcelona, ES
until 24.05.2020
The project "The Infinite Library" began in 2007 as an exchange between the two artists Daniel Gustav Cramer and Haris Epaminonda and is still being continually extended. It consists of an archive of books, made by removing pages from antique books and reassembling them in collage before binding them again. In many cases these are illustrated books which are, in this way, bound with altered patterns of causality. A series of collages assembled anew with the imagery of a publication with gothic plates is displayed in the first room. In the corridor a video work gives a deeper insight into the project showing turning pages of the books. The entirety nevertheless remains unrevealed and incomplete so far. The title of the project is a reference to José Luis Borges’s fantastic description of a library organised in endless hexagonal rooms. It serves as a metaphor for the universe, where humanity is on an endless search for total knowledge. Preoccupation with found images and the medium of the book is a common interest and a recurring motif in the works of Cramer and Epaminonda.
Daniel Gustav Cramer & Haris Epaminonda - The Infinite Library
Nedko Solakov
A Life (Black & White)
Tate, London, UK
until 01.03.2020
In Nedko Solakov’s performance work A Life (Black & White), two workers continuously paint the gallery walls. One uses black paint and the other uses white. The painters follow each other around the space, painting over each other’s work. This is constantly repeated for the length of time the work is on display. The materials used in the performance are also laid out in the space. These include tins of paint, rollers, rags and signs for the painters’ breaks. In A Life (Black & White), Solakov is exploring issues about work, labour, time and repetition. The piece also comments on the process of making a painting, but here the paint is applied directly onto the gallery wall instead of a canvas. As well as performance, Solakov makes work in media such as drawing, painting, video and installation. He explains ‘I am telling stories in space’. He frequently plays with the expectations of his audience, using humour to convey political concerns, often about his native Bulgaria. His work also playfully questions the conventions used in galleries and other art institutions.
Nedko Solakov "A Beauty 4", 2011. White artificial fur, black cloth, stuffing materials, acrylic and ink on paper, sanded glass, bulb 110x200x500 cm
David Maljkovic
With the Collection
MMSU, Rijeka, HR
until 20.04.2020
Gabriele Basilico
Metropoli
Palazzo delle Esposizioni, Rome, IT
until 13.04.2020
Gabriele Basilico,
Unidentified Modern City. Globalized Brescia,
2011
Pure pigmented print
60x80 cm
Jonathan Monk
Exhibit Model Six – The Tel Aviv Version
CCA Tel Aviv, IL
until 01.02.2020
Jonathan Monk, Exhibit Model Detail with Additional Information, 2019, Mixed media, 182,5×123×15 cm
Anish Kapoor
Anish Kapoor
CAFA Art Museum - Imperial Ancestral Temple, Beijing, CN
until 01.01.2020
Installation view
Anish Kapoor, Martin-Gropius-Bau, Berlin, 2013
Sheila Hicks
Surrounds
MoMA, New York, USA
until 04.01.2020
Installation view
Sheila Hicks, Surrounds, MoMA, New York, 2019
Sheila Hicks
Reencuentro
Museo Chileno de Arte Precolombino, Santiago, CL
until 31.01.2020
Portrait
Sheila Hicks
Sheila Hicks
Secret Structures, Looming Presence
Dallas Museum of Art, Dallas, Texas, USA
until 12.01.2020
SH, Untitled, 2019, 73x50cm
Sheila Hicks
Untitled
2019
Linen on wooden support
73x50cm
Haris Epaminonda
On the spiritual matter of art – curated by Bartolomeo Pietromarchi
MAXXI Museum, Rome, IT
until 08.03.2020
Haris Epaminonda
Untitled #13 t/g
2019
Mirrored and black polished lacquered wooden structure with brass hinge, mirrored and black polished lacquered wooden column, velvet curtain, two wooden spheres with golden leaf
Overall dimensions
270x166x230 cm
Roger Ballen
Le monde selon Roger BALLEN
Halle Saint Pierre, FR
until 31.07.2020
Roger Ballen reigns over the black-and-white world of the human psyche. Disturbing, provocative and enigmatic, the work of this  American-born South African photographer, a geologist by training, expresses the sense of confusion of a man confronted by the nonsensical nature both of his life and of the  world in general. Ballen’s work has been the subject of exhibitions at prestigious institutions for more than thirty years now. Although each of his shows is an event, his decision to exhibit at the Halle Saint Pierre in Paris, an atypical museum devoted to outsider art and unusual forms of creativity, demonstrates his freedom from artistic genres. For the Halle Saint Pierre, a collaboration with Roger Ballen is an invitation to showcase – or test  out  – the artistic and cultural otherness of art brut. In his relationship with creativity, Ballen has constantly explored a form of art that is rooted in the deepest layers of human nature; like the French dramatist, actor and writer Antonin Artaud, he is always moving towards more primal means of artistic expression.
Installation view
Roger Ballen, Ballenesque, Les Rencontres, Arles, 2017
Ariel Schlesinger
Nature morte/Nature vivante
Le Grand-Hornu, Magasin aux Foins, Écuries, BE
until 08.03.2020
Since the late 17th century, the French expression nature morte (literally ‘dead nature’) has been used to refer to still life, the field of painting that approaches nature from a sensual perspective and explicitly alludes to its fragility and ephemerality, and indirectly also to the vanity of human intervention on its composite elements. Over time, the term has extended to include any arrangement of inanimate objects organised in a certain fashion with a symbolic intention, which is meant to induce a poetic emotion. In our so-called “anthropocene” age, man’s unwarranted action is contributing to the impermanence of nature, or even its annihilation. With this sombre outlook, the term nature morte takes on even greater relevance. Yet nature has a formidable capacity for regeneration. Works by numerous creative minds question, provoke or encourage mechanisms that nature uses to underpin its intensity, reproduction and durability. In reality, each state of matter is a snapshot in a long, slow, evolutionary process of transformation, aggregation, assimilation and decomposition… Nature is very much alive! In this exhibition organised at the CID, designers, architects and artists present intensive, practical or experimental research that questions the relationship between man and nature, calling in equal measure on ecology, science, our moral conscience and artistic creation. Nature morte/Nature vivante reveals how much man’s ambiguous relationship with nature can be both perverse and inspiring.
Installation view
Ariel Schlesinger, we started with a flame, February 2019
Nedko Solakov
Stingy Doodles
Museum HOUSE OF HUMOUR AND SATIRE
until 19.01.2020
Nedko Solakov uses a characteristic method of making the viewer read and look simultaneously, an approach which “works” especially and equally well in his detailed installations, in his major museum exhibitions and in empty gallery spaces. The viwer can see how this happens in Stingy Doodles at the Museum of Humor and Satire. The work was created especially for the space, and the artist offers very local and personal commentaries; in this way, local viewers from Gabrovo will find themselves in a similar situation to that of viewers in museums such as the Museum of Modern Art in Frankfurt; Haus Konstruktive, Zurich; Museum Frans Hals, Haarlem; Kunstmuseum, St. Gallen; P.S. 1 MoMA, New York; Serralves Museum, Porto; De Appel Contemporary Arts Centre, Amsterdam; Museo Reina Sofia, Madrid and currently the exhibit A Passion for Drawing. The Guerlain Collection from the Centre Pompidou Paris in the Albertina, Vienna.
Nedko Solakov
My Dream Bulgarian Cultural Reporter’s Butt
2014
Oil on canvas
97x130 cm
Titina Maselli
Panta Rei
Studio Legale Withers, Milan, IT
until 19.04.2020
Titina Maselli
Calciatori, 1971
Oil on canvas
196x130 cm