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PANORAMA PROCIDA. Island-wide exhibition curated by Vincenzo de Bellis Procida, Italy. September 2- 5, 2021
Procida, Italy
until 05.09.2021
Galleria Massimo Minini – member of ITALICS – is pleased to announce the first in-person project of the consortium. ITALICS, the first consortium in Italy to unite more than sixty of the country’s most influential galleries of contemporary, modern and ancient art, presents its first in-person project: PANORAMA, an island-wide exhibition on Procida (off the coast of Naples) from Thursday, 2 September to Sunday, 5 September 2021, curated by Vincenzo de Bellis, Curator and Associate Director of Programs, Visual Arts at the Walker Art Center in Minneapolis.  It is the first in a series of exhibitions, each with the title PANORAMA, organised by ITALICS to tell the story of some of the most fascinating places in Italy, in an offline continuation of the extraordinary journey begun in October 2020 on the pages of the website  The first exhibition in the PANORAMA series is taking place on the island of Procida, a picturesque location distinguished for its intellectual bent and natural surroundings, in the form of a long conversation between the curator Vincenzo de Bellis and Agostino Riitano, director of Procida: Italian Capital of Culture 2022. The exhibition brings together about forty-five works of art spanning sculpture, painting, video, performance and installations from a wide range of historical and production contexts. The itinerary stops at twenty sites island-wide, including public and private buildings, churches, historical palazzos and more, all pivoting around the fortified village of Terra Murata, dominated by Palazzo d’Avalos (1563), a former prison citadel.  Through constant dialogue and comparison of notes, Vincenzo de Bellis and Agostino Riitano highlight a few of the key features of the project: the relationship between work of art and a highly distinctive space like that of the island, social potential, understood as an attempt to update communication and the use of art and, lastly, dialogue with institutions.  Spreading the project throughout the island, PANORAMA presents not just Procida’s works of art but also its houses, churches, streets, terraces, piazzas and even residents. With PANORAMA, ITALICS is renewing its commitment to promote the beauty of Italy in all its profound complexity, through the eyes of Italian gallerists. PANORAMA is made possible by Intesa Sanpaolo, ITALICS’ project Partner, with additional support from the Region of Campania and the Fondazione Donnaregina per le arti contemporanee - museo Madre, and the sponsorship of the Municipality of Procida.  The exhibition is part of the program “Towards Procida 2022”.
Peter Halley
Museo Nivola, Orani, IT
until 22.08.2021
Starting in the 1990s, Peter Halley began to transform the architectural space through digitally generated mural works, sometimes developed in collaboration with other artists. The project created for Museo Nivola focuses on this aspect of his work: Halley has completely transformed the museum’s temporary exhibition space’s walls, in tune with the mission of Museo Nivola, an institution dedicated to Costantino Nivola, one of the protagonists of the movement for a “synthesis of the arts” at mid-century. In the old public washhouse used by the museum for temporary exhibitions – a clear and linear building similar in shape and proportions to a church – the tone is joyful and lively, the space euphoric. Entering from the terrace – a light-flooded environment overlooking the museum park – the visitor will experience a visual shock produced by Halley’s favorite fluorescent hues and the images’ exuberant and dynamic character. Arranged in a scheme recalling the Italian fourteen-century fresco cycles, which suddenly rises in a series of colored waves, the surface combines the artist’s painting’s distinctive repertoire with art historical references from the Renaissance to Warhol, from Matisse to cave art. “The installation – states Giuliana Altea, curator of the exhibition together with Antonella Camarda – enhances the contrasts in Halley’s painting. It is both conceptual and decorative, critically reflective and spectacular, intensely contemporary, and nourished by the dialogue with art history. It combines opposite polarities, not so much to seek a synthesis between them or to try to reconcile them, but rather to put them in tension and trigger short circuits of the viewer’s imagination.”
Installation view
Peter Halley, Antesteria, 2021, Museo Nivola, Orani
ph. Daniele Brotzu
Stefano Arienti/Letizia Cariello
Carta bianca. Una nuova storia. 49 artisti x 49 copertine
Museo Gigi Guadagnucci, Massa, IT
until 29.08.2021
Letizia Cariello, Saving time, 2020
Ink and red thread intervention on paper, 28,5x23 cm
Letizia Cariello
Il tuo cielo è verde
Filatoio Rosso di Caraglio, Cuneo, IT
until 10.10.2021
Maurizio Donzelli
In Nuce
Museo Civico Medievale, Bologna, IT
until 19.09.2021
The site-specific solo exhibition enters into dialogue with the works, rooms and halls of Bologna's Medieval Museum: the itinerary invites visitors to discover the unexpected relationships between the museum's fine artefacts and centuries-old architecture, and the artist's works, from the Tapestries to the Mirrors, through the Disegni del Quasi and the more recent monochromes on gold to the presentation of Notturni, the new series of nocturne paintings conceived, between the end of 2020 and the start of 2021, as a pictorial meditation on isolation and waiting and, as yet, unreleased. Several large-format works on paper evoke celestial maps of interstellar filaments and burning stars; others are inspired by Descartes' drawings on magnets: waves and magnetic fields that spread or stop like water waves when they meet, visual metaphors of mutual analogies and resonances between all worldly things.
Installation view
Maurizio Donzelli, In Nuce, 2021, Museo Civico Medievale, Bologna
Carla Accardi/Sheila Hicks
in Elles font l’abstraction
Centre Pompidou, Paris, France
until 23.08.2021
Carla Accardi,1966
Ph. Ugo Mulas
Haris Epaminonda
in Europe: Ancient Future
Halle für Kunst Steiermark, Graz
until 15.08.2021
Production phase
Haris Epaminonda, Chapters, 2013
16mm film transfered to digital, single screen version, 1:37 min
David Maljkovic
in Here to Stay. Nuove opere per la Collezione
Museion, Bolzano
until 08.08.2021
Installation view
David Maljkovic, Retired Form, 2010, Museion, Bolzano
ph. Luca Meneghel
Carla Accardi/Vanessa Beecroft/Sabrina Mezzaqui/Francesca Woodman
in Io dico Io – I say I
La Galleria Nazionale, Rome
until 23.05.2021
Francesca Woodman, Untitled, Providence, Rhode Island, 1978
Gelatine silver estate print
9,8×9,8 cm
Edition 7/40
Letizia Cariello
in Muselmann. Omaggio ad Aldo Carpi
Memoriale della Shoah, Milan
until 19.03.2021
Letizia Cariello, Rimedio inutile, 2021, cut sheet with mending, 20x20 cm
Haris Epaminonda
in Compassion Fatigue Is Over
Galerie Rudolfinum, Prague
until 18.04.2021
Still from
Haris Epaminonda, Chimera, 2019
Super 8 digitalised film, duration 34’ 15”, colour, sound (by Kelly Jayne Jones)
Ed. 5 +2AP
Sheila Hicks
Thread, trees, river
MAK Museum of Applied Arts, Wien
until 18.04.2021
Installation view
Sheila Hicks, Monumental, 2018-2020, MAK Wien
ph. Georg Mayer
ITALICS Art and Landscape
Letizia Cariello
Libro del silenzio
Casa del Manzoni, Milano
Detail of
Letizia Cariello
Libro del Silenzio
Enzo Mari
curated by Hans Ulrich Obrist with Francesca Giacomelli
La Triennale di Milano, Milan, IT
until 18.04.2021
Enzo Mari
Struttura 918
Alluminio anodizzato naturale e nero
Giulio Paolini
Le chef-d’oeuvre inconnu
Castello di Rivoli, Rivoli, IT
until 25.07.2021
Giulio Paolini, 2013
Ph. Luciano Romano
John Hilliard
in Fragile creation
Dom Museum, Wien, AT
until 28.08.2021
John Hilliard, Landscape In Ruins (Pendragon Castle Unfocused, Decayed And Blurred), 2014, pigment print on Hahnemuhle paper, 73×84 cm
Ryan Mendoza
Almost home. The Rosa Parks House Project
Palazzo Reale, Naples, IT
until 06.01.2021
Haris Epaminonda
Mercedes-Benz Art Scope 2018-2020
Hara Museum, Tokyo, Japan
until 06.09.2020
Haris Epaminonda, Untitled #01 b/l, 2020
installation of wooden brass gilded sphere, red carpet, sound, text on paper (work contribution by Daniel Gustav Cramer, Hiroshi, 2020, size varied)
Ph: Keizo Kioku
Peter Halley
in The Artist Columned Hall
STOA169 Foundation Stiftung, Polling
Installation view
Peter Halley, The artist columned hall, STOA169 Stiftung, Polling, Germany
Carla Accardi
Museo del Novecento, Milan, IT
until 27.06.2021
Carla Accardi
Due rettangoli mimetici
Sicofoil on painted wooden stretchers
38×75 cm each
Wilfredo Prieto
Milano, CityLife public park
Installation view
Wilfredo Prieto, Beso, 2020
Courtesy ArtLine Milano
© Alberto Fanelli
Hans-Peter Feldmann
Variations – Eugène Frey’s Light Set Projections presented by João Maria Gusmão
Nouveau Musée National de Monaco, Villa Paloma, Monaco, MC
until 30.08.2020
Daniel Buren
Illuminare lo spazio, lavori in situ e situati
GAMeC, Bergamo, IT
until 01.11.2020
Maurizio Donzelli
MAC, Lissone, IT
until 27.09.2020
Maurizio Donzelli, Talisman drawing, 2019, acrylic resin on board, 41.5x31x3 cm
Ariel Schlesinger
in Double Wall of Silence
Hestia, Belgrade, YU
until 02.08.2020
Ariel Schlesinger, we started with a flame, February 2019
Jonathan Monk
Three Ball Total Equilibrium Tank and other problems
Quartz Studio, Turin, IT
until 25.07.2020
Olivo Barbieri
Early Works 1980-1984
Monastero di Astino, Bergamo, IT
until 31.10.2020
Daniel Gustav Cramer/Haris Epaminonda
The Infinite Library
Centre d’Art Contemporani - Fabra i Coats, Barcelona, ES
until 24.05.2020
The project "The Infinite Library" began in 2007 as an exchange between the two artists Daniel Gustav Cramer and Haris Epaminonda and is still being continually extended. It consists of an archive of books, made by removing pages from antique books and reassembling them in collage before binding them again. In many cases these are illustrated books which are, in this way, bound with altered patterns of causality. A series of collages assembled anew with the imagery of a publication with gothic plates is displayed in the first room. In the corridor a video work gives a deeper insight into the project showing turning pages of the books. The entirety nevertheless remains unrevealed and incomplete so far. The title of the project is a reference to José Luis Borges’s fantastic description of a library organised in endless hexagonal rooms. It serves as a metaphor for the universe, where humanity is on an endless search for total knowledge. Preoccupation with found images and the medium of the book is a common interest and a recurring motif in the works of Cramer and Epaminonda.
Daniel Gustav Cramer & Haris Epaminonda - The Infinite Library
Nedko Solakov
A Life (Black & White)
Tate, London, UK
until 01.03.2020
In Nedko Solakov’s performance work A Life (Black & White), two workers continuously paint the gallery walls. One uses black paint and the other uses white. The painters follow each other around the space, painting over each other’s work. This is constantly repeated for the length of time the work is on display. The materials used in the performance are also laid out in the space. These include tins of paint, rollers, rags and signs for the painters’ breaks. In A Life (Black & White), Solakov is exploring issues about work, labour, time and repetition. The piece also comments on the process of making a painting, but here the paint is applied directly onto the gallery wall instead of a canvas. As well as performance, Solakov makes work in media such as drawing, painting, video and installation. He explains ‘I am telling stories in space’. He frequently plays with the expectations of his audience, using humour to convey political concerns, often about his native Bulgaria. His work also playfully questions the conventions used in galleries and other art institutions.
Nedko Solakov "A Beauty 4", 2011. White artificial fur, black cloth, stuffing materials, acrylic and ink on paper, sanded glass, bulb 110x200x500 cm
David Maljkovic
With the Collection
MMSU, Rijeka, HR
until 20.04.2020
Gabriele Basilico
Palazzo delle Esposizioni, Rome, IT
until 13.04.2020
Gabriele Basilico,
Unidentified Modern City. Globalized Brescia,
Pure pigmented print
60x80 cm
Jonathan Monk
Exhibit Model Six – The Tel Aviv Version
CCA Tel Aviv, IL
until 01.02.2020
Jonathan Monk, Exhibit Model Detail with Additional Information, 2019, Mixed media, 182,5×123×15 cm
Anish Kapoor
Anish Kapoor
CAFA Art Museum - Imperial Ancestral Temple, Beijing, CN
until 01.01.2020
Installation view
Anish Kapoor, Martin-Gropius-Bau, Berlin, 2013
Sheila Hicks
MoMA, New York, USA
until 04.01.2020
Installation view
Sheila Hicks, Surrounds, MoMA, New York, 2019
Sheila Hicks
Museo Chileno de Arte Precolombino, Santiago, CL
until 31.01.2020
Sheila Hicks
Sheila Hicks
Secret Structures, Looming Presence
Dallas Museum of Art, Dallas, Texas, USA
until 12.01.2020
SH, Untitled, 2019, 73x50cm
Sheila Hicks
Linen on wooden support
Haris Epaminonda
On the spiritual matter of art – curated by Bartolomeo Pietromarchi
MAXXI Museum, Rome, IT
until 08.03.2020
Haris Epaminonda
Untitled #13 t/g
Mirrored and black polished lacquered wooden structure with brass hinge, mirrored and black polished lacquered wooden column, velvet curtain, two wooden spheres with golden leaf
Overall dimensions
270x166x230 cm
Roger Ballen
Le monde selon Roger BALLEN
Halle Saint Pierre, FR
until 31.07.2020
Roger Ballen reigns over the black-and-white world of the human psyche. Disturbing, provocative and enigmatic, the work of this  American-born South African photographer, a geologist by training, expresses the sense of confusion of a man confronted by the nonsensical nature both of his life and of the  world in general. Ballen’s work has been the subject of exhibitions at prestigious institutions for more than thirty years now. Although each of his shows is an event, his decision to exhibit at the Halle Saint Pierre in Paris, an atypical museum devoted to outsider art and unusual forms of creativity, demonstrates his freedom from artistic genres. For the Halle Saint Pierre, a collaboration with Roger Ballen is an invitation to showcase – or test  out  – the artistic and cultural otherness of art brut. In his relationship with creativity, Ballen has constantly explored a form of art that is rooted in the deepest layers of human nature; like the French dramatist, actor and writer Antonin Artaud, he is always moving towards more primal means of artistic expression.
Installation view
Roger Ballen, Ballenesque, Les Rencontres, Arles, 2017
Ariel Schlesinger
Nature morte/Nature vivante
Le Grand-Hornu, Magasin aux Foins, Écuries, BE
until 08.03.2020
Since the late 17th century, the French expression nature morte (literally ‘dead nature’) has been used to refer to still life, the field of painting that approaches nature from a sensual perspective and explicitly alludes to its fragility and ephemerality, and indirectly also to the vanity of human intervention on its composite elements. Over time, the term has extended to include any arrangement of inanimate objects organised in a certain fashion with a symbolic intention, which is meant to induce a poetic emotion. In our so-called “anthropocene” age, man’s unwarranted action is contributing to the impermanence of nature, or even its annihilation. With this sombre outlook, the term nature morte takes on even greater relevance. Yet nature has a formidable capacity for regeneration. Works by numerous creative minds question, provoke or encourage mechanisms that nature uses to underpin its intensity, reproduction and durability. In reality, each state of matter is a snapshot in a long, slow, evolutionary process of transformation, aggregation, assimilation and decomposition… Nature is very much alive! In this exhibition organised at the CID, designers, architects and artists present intensive, practical or experimental research that questions the relationship between man and nature, calling in equal measure on ecology, science, our moral conscience and artistic creation. Nature morte/Nature vivante reveals how much man’s ambiguous relationship with nature can be both perverse and inspiring.
Installation view
Ariel Schlesinger, we started with a flame, February 2019
Nedko Solakov
Stingy Doodles
until 19.01.2020
Nedko Solakov uses a characteristic method of making the viewer read and look simultaneously, an approach which “works” especially and equally well in his detailed installations, in his major museum exhibitions and in empty gallery spaces. The viwer can see how this happens in Stingy Doodles at the Museum of Humor and Satire. The work was created especially for the space, and the artist offers very local and personal commentaries; in this way, local viewers from Gabrovo will find themselves in a similar situation to that of viewers in museums such as the Museum of Modern Art in Frankfurt; Haus Konstruktive, Zurich; Museum Frans Hals, Haarlem; Kunstmuseum, St. Gallen; P.S. 1 MoMA, New York; Serralves Museum, Porto; De Appel Contemporary Arts Centre, Amsterdam; Museo Reina Sofia, Madrid and currently the exhibit A Passion for Drawing. The Guerlain Collection from the Centre Pompidou Paris in the Albertina, Vienna.
Nedko Solakov
My Dream Bulgarian Cultural Reporter’s Butt
Oil on canvas
97x130 cm
Titina Maselli
Panta Rei
Studio Legale Withers, Milan, IT
until 19.04.2020
Titina Maselli
Calciatori, 1971
Oil on canvas
196x130 cm