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Sabrina Mezzaqui

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    Sabrina Mezzaqui manages, through a reflective process of self-imposed discipline, to revitalize and express in concrete images and objects the essential detachment from words. The principle of distance, cultivated in the secret rooms of an intimacy that is reflected in her life choices and her periods of isolation and “suspension”, reverberates in a practice – as minutely detailed as it is compulsive – where construction and deconstruction succeed one another. What emerges in all her work, governed as it is by the unwritten rules of a relationship with the world filtered through a literary and diaristic dimension (like a constant background sonority), is the magical concreteness of doing and of a highly concentrated and iterative manuality which is seductive in its meticulous adherence to the apparent simplicity of a sign (or gesture) immersed in the temporal suspension of the ritual. It is almost a way of exorcizing the ineluctability imposed by external, exterior rhythms while, at the same time, being an evocative reference to the “feeling” of memory.

    Appello ai meditanti

    catalogo Galleria Nazionale - Palazzo della Pilotta, Parma, 2014

    The Dormancy of the Seed

    Bengal Art Lounge, Dhaka, 2012

    Sabrina Mezzaqui, L’ombra delle cose

    ed. L’Obliquo, Brescia, 2012

    ISBN 978-8888845982

    La realtà non è forte - opere di Sabrina Mezzaqui

    catalogo Museo Civico d’Arte, Modena, 2010

    Apocalittici e integratori. Utopia nell’arte italiana di oggi

    MAXXI Museo nazionale delle arti del XXI secolo, Electra, 2007

    Come acqua nell’acqua

    Quaderni di Sant’Elmo, ed. Electa, Napoli, 2007

    ISBN 978-8851004927

    One Severn Street

    Birmingham, UK, 2006. p.6-9

    S. Mezzaqui, C’è un tempo

    catalogo GAM, ed. Hopefulmonster, Torino, 2006

    C. Christov-Bakargiev, R. Daolio, F. Pasini e P. Doroshenko, Sabrina Mezzaqui

    ed. Gli Ori, Siena 2002