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Sol LeWitt

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Sol LeWitt was a leading figure of Minimalism and pioneer of Conceptual art.
Redefining art production by exploring ideas rather than conventional aesthetics, he distilled art to its essentials. Using the cube as a “grammatical device,” LeWitt’s work is characterized by serialization, repetition, and progression, exemplified by his iconic open-grid structures. Studying systems of line and color, his prolific output of wall drawings represents a breakthrough in his career and solidifies his engagement with two-dimensional practices spanning painting, drawing, photography, and printmaking.
Sol LeWitt was pivotal in the creation of the new radical aesthetic of the 1960’s that was a revolutionary contradiction to the ‘Abstract Expressionism’ current in the 1950’s and 60’s New York school. He had no interest in inherent narrative or descriptive imagery. LeWitt, like no other artist of his generation, had always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions. As one of the first coherent proponents of conceptual art with his writings, Sentences on Conceptual Art (1969), LeWitt’s work continues to be regarded and referred to by a younger generation of artists as one of the seminal investigations into ‘idea’ and ‘concept’ art. He continued to challenge new thinking about what art can be. “If the artist carried through his idea and makes it into visible form, then all the steps in the process are of importance. The idea itself, even if not made visual, is as much a work of art as any finished product.” Stated LeWitt in 1971. “All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product.”

Cuaderno de artista : Sol LeWitt

La Fábrica, 2012

ISBN 9788495471819

Sol Lewitt: Structures, 1965-2006

Other Distribution, 2011

ISBN 978-0300178616

Sol LeWitt: Artist's Books

Edizioni Corraini, 2010

ISBN 978-8890345920

Lewitt X 2: Structure And Line And Selections from the Lewitt Collection

Madison Art Center, 2006

ISBN 978-0913883334

Sol LeWitt - Wall Drawings allo Studio G7

Damiani Editore, 2006

ISBN 978-8889431597

Sol Lewitt Wall Drawing 1176: Seven Basic Colors And All Their Combinations in a Square Within a Square For Josef Albers

Richter Verlag, 2005

ISBN 978-3937572352

Artists Talk 1969-1977

The Press of the Nova Scotia College of Art and Design, 2004

ISBN 978-0919616400

Sol Lewitt Structures 1962 – 2003

Pacewildenstein edition, 2004

ISBN 978-1930743359

Sol Lewitt, Mimmo Paladino

Hopefulmonster, 2003

ISBN 978-8877571779

Sol LeWitt: Concrete Block Structures

ACS edition, 2002

ISBN 978-8888098111

Sol LeWitt Recent Works

Tokyo Museum of Contemporary Art, 1990

Sol LeWitt, infinito dialogo tra arte e architettura

Il Giornale dell'Architettura. March 2018, text by Arianna Panarella

Sol LeWitt – Between the Lines

Rivista Segno. November 2017

Sol LeWitt e l’arte concettuale

Wall Street International Magazine. March 2016, text by Marta Massara

Sol LeWitt: il musicista dei concetti

Artecracy. October 2016, text by Sara Costa

NAPOLI. Museo MADRE

Segno 243, Gennaio-Febbraio 2013, p.6.

Back to Square One: Remembering Sol Lewitt

Art in America, June/ July 07

Sol LeWitt

Modern Painters, July –August 2007 pp 66-71, text by Sarah Kent

Recollecting LeWitt

Art Monthly, no 307 June 2007, text by Anne Rorimer

Outside the Box

ArtForum, Summer 2007, text by Mel Bochner & John Baldassari

Remembering Sol LeWitt

The Art Newspaper, no 180, May 07, text by Julian Opie

Sol LeWitt

Art Monthly May 2007, no.306, page 12

Sol LeWitt goes on show for 25 years

The Art Newspaper, no 175, Dec 06

Second Thoughts

The Guardian G2, 7th December, text by Adrian Searle

Space Invasion

The Architect’s Journal, No. 13, vol.219, text by Neil Robert Wenman

The best loft clearance that I’ve seen for quite some time

Independent on Sunday, 13 July 03, text by Charles Darwent

Minimalism and after II

Art Review, May 03, p.94

In the palm of his hand

Art Review, Dec/Jan 2003, p. 42-47, text by Meredith Etherington-Smith

Breaking the Box

Art in America, Dec. 2002, p. 27-29

Slow Burn

ArtForum, Nov. 2002, p. 146-151, text by Robert Storr

Sol LeWitt at Place Wildenstein

Art in America, Dec. 2002, p. 106, text by Edward Leffingwell

Emotional rescue

Frieze, issue 71, p. 70-75

October 1972

Art Forum, Oct. 2002, p. 56 Jörg Heiser, text by Eric Banks

Merce’s Jubilee

Art Review, Oct 2002, Vol. LIII, p. 18

Brought to book

Art Review, Oct 2002, Vol. LIII, p. 40, text by Charlotte Edwards

West to East and Back

RA, no. 76, autumn 2002, p. 40-47, text by Charlotte Mullins

Willem de Kooning

Frieze, issue 69, September 2002, p. 105, text by Ronald Jones

Summer Reading

Art Monthly, No 258, July – August 2002, p. 53 – 54, text by Andrew Wilson

Ephemera Multiplied

Art Monthly, No 258, July – August 2002, p. 50 – 51, text by Paul Claydon

Paris in Brooklyn

Art Monthly, No 258, July – August 2002, p. 40 – 42, text by Michael Wilson

Reflex Miniature Museum

Baby Magazine, No 6 spring 2002, text by