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Ludovica Anversa

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Ludovica Anversa’s research moves between themes linked to memory and the body, feeding on an imaginary where the boundaries between art, anthropology, and psychology blur.
Positioning itself in a liminal and ambiguous dimension of figuration, her painting searches for alternative ways of representingthe body and escapes a determined narrative, generating visually unstable and stratified images.
Human, animal, and vegetable elements are contradictory and metamorphic presences that coexist simultaneously, contaminating each other without being annihilated.
Her paintings reveal an underground complexity of visceral and fragmented forms, which persist on a deeper level, as an unconscious memory.
The image is thus called into question through her memory and its remains: a potential image that manifests itself through itsnegation, vulnerable, and not explicit, an imprint of a presence now absent but still perceptible.

Ludovica Anversa (1996) studied at NABA (New Academy of Fine Arts) in Milan. In 2020 she took part in the residencyprogram of Palazzo Monti (Brescia) and Manifattura Tabacchi (Florence). Anversa has exhibited her work in Italy and abroad, in galleries, foundations and independent spaces, including: East Contemporary (Entreveaux, 2021); ArtNoble (Milan, 2021); Renata Fabbri Gallery (Milan, 2021); Palazzo Monti (Brescia, 2021); Manifattura Tabacchi (Florence, IT, 2021); Mana Contemporary (Jersey City, 2020); Giorgio Galotti Gallery (Milan, 2020); Pini Foundation (2018). In 2021 she won the Francesco Fabbri Prize for contemporary arts (Pieve di Soligo).