Curated by Cristiano Raimondi, this group exhibition offers a journey through an ideal artificial landscape where the works embody the idea of the sublime. Set in a suspended narrative, real events are evoked as mirages of the mind. The incipit of this fiction is a specific work: the digitised super8 film Chimera by Haris Epaminonda, presented at the 58th Venice Biennale in 2019. According to the show, the abyss can represent a vastness of concepts and states of mind; freed from a trite negative connotation, the abyss in this exhibition is the starting condition for recounting the ecstasy that the mystery of the unexpected can generate. Not seeing the end or beginning of something makes the heart leap, a thrill that comes from the thought.
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